JJ Worden

Mixed Media Artist

When the Land calls

Bridgette asks:

This question again has to do with your land because as you know I am obsessed with living on the land one day  - when you found the land how did you know that was the place. Or did you?



I guess this is The History of Jen Week (did an Introduction post over on instagram) and given where I live really informs my work, it probably is pertinent. In order to answer Bri's question fully however, a bit of backstory may be in order.


I am not a native Nova Scotian.

My parents moved out of my home province of Quebec in the late 70s with the institution of Bills 22 & 101 making Quebec an all French province.

They moved to Shelburne, NS, where I met Tom.

We moved to Toronto for 10 years while he did his corporate thing and I had babies.

I was getting into the idea of homesteading and had already started to move our 10 acres from "country estate" to working farmette.

And then Tom wanted to move back. Ostensibly so our 2 boys could know their grandparents. But also, I think, he just missed the lower key lifestyle.

When we started looking...this was in the late 80s...no internet!...it wasn't quite as convenient as it is now (hello! ViewPoint!). Luckily my parents were on board and kept an eye out for likely properties. 

Our list of "haves" was pretty modest:

  1. Somewhere between Halifax and Shelburne. The idea being if Tom had to work in the city, it wouldn't be TOO far and we weren't in our parents (his lived in the same town as mine) back pockets. (not to mention Shelburne is NOT farmland. (hello! Granite Village. I kid you not!)
  2. 20 acres (ish).
  3. Liveable house. Workable outbuildings.

They rounded up a bunch of properties and in November 1989 we flew in to do a whirlwind tour.
A couple of things we'd found while looking, is that "country estate" properties - between 5 and 25 acres - didn't exist in Nova Scotia then. They were either 2 acre building lots OR 150+acres. (Land grants were doled out in the 1800s in 150acre increments) We never specified water frontage and frankly, had we do it over again, that'd probably be Criteria #4. There are 1000s of lakes and rivers in Nova Scotia. Not to mention oceanfront.  Finding waterfrontage would not have been a hardship back then. But I digress.

We looked at 4 promising properties...others had been visited and knocked off the list by my parents.

The first 3 were smaller acreages. One was across from the ocean and a more gentrified area. The real estate agent felt cows and horses and chickens might not go over very well. One had a renovated house but no barn. Another had a small barn, older home in good nic but was a good 40 minute drive from the highway that linked Halifax and Shelburne.

The final one was Meadowood. It was an estate sale and had not been lived in for 2 or 3 years. The driveway was more a path up a 300 meter (1000feet) hill. The fields were overgrown. The house was old and a combination of particle board, green shag carpet and orange medallion wallpaper. Parts of the barn floor had fallen through and the center bay was filled with loose hay and (we didn't know at the time) farm implements. The cattle stanchions were FILLED with stuff. The shed floor was rotten and listing downhill as was the attached chicken coop. Both were filled to brim with STUFF. But as we walked to the top of the hill behind the house that overlooked Wentzell Lake, surrounded by (albeit neglected) fields with 120ish acres of woodland, I knew, this was it. We put an offer in and owned it within a week!


How did I know?

It felt like home. It was welcoming. It had more than our criteria. It had history. And it spoke to me. This. Now. Yours. 

Not really helpful as a "this is how you find a rural property" tutorial. Other places would certainly have been less work. Maybe other folks can be super practical and make a property work with their head and let the heart catch up. Maybe. All I know is that this property entranced my heart, let my feet grow deep into the earth and became a part of me.

It was a difficult transition from there to here, our new house by the lake. Those roots had grown strong and deep. Even though in my heart, I knew, we needed a change. Thankfully our son and daughter-in-law took  it over and, I think, love it as much as we did.  I would not have been able to stay in the same area had it not remained in the family.

I can not tell you how deeply satisfying it is to live on a piece of land that you know like the back of your hand. It becomes a friend. A living, breathing entity that has its own life, its own story that you can share in shaping and growing and stewarding. Everyone should be able to experience that at least one in their life!

A List of 10 Things


  1. It's still a thrill when things come together in the studio.
  2. Currently reading "The Snow Child". May be a 5 ⭐.
  3. I equally LOVE and CURSE studio experiments.
  4. I just might HATE March-too much Winter-not enough Spring.
  5. On the plus side, seed starting has begun!
  6. Also. I may have gone overboard on seed buying.
  7. I LOVE old barns. Particularly Nova Scotia barns and outbuildings. I should do a Series.
  8. I eat, breathe, and sleep a crush,then dump it unceremoniously.
  9. I might be the teensiest bit sad to see The Lockdown go away.
  10. Sitting in the greenhouse, soaking up early Spring sunshine is a new Life Pleasure.

Focus on The Work

Why are some lessons so hard to learn?
Because I have been down this path before, maybe a thousand times, between personal online projects back in the day (Hello, olio!) and numerous groups and forums and blog posts. When I focus on The People, my work has no soul. It is driven from without. Instead of within. And The Universe knows. 

This is the deeper, gut felt, corollary to "Live in Passion" or "Do what you Love" or "If it feels simple, you're on the right track". Pick your platitude. 

Try this on for size.
Designate a "DGAF" week, fortnight, month, and let your freak flag fly. Make All The Things. Let your heart rule. Share if you want, though often it helps not to, initially, lest you get dragged down the 'Oh! They Like it' hole (or worse 'Crickets!!'). Just make what you want. How you want. Until that thing SINGS to your soul. Do it once. Twice. Three Times. And only then, when you are feeling SO proud of yourself, offer it out to The Universe without explanation. Certainly no apologies. And I just bet, you will be rewarded a million times over.

How do I know? Because I've experienced it first hand. Over. And over. And over. And if I could remember to NOT get sucked down that "They Love it! They Hate it!" hole, I would be surrounded with work I am thrilled to have produced, share and sell. Mark my words, start creating what "they" love? and your work will become less interesting, less meaningful and certainly less soulful very, very quickly.

FOCUS ON THE WORK.

The Kind of Artist I Want To Be

This morning I realized, after reading Bridgette's latest blog post, that what I've been grappling with is What Kind of Artist Do I Want To Be?

One of the things I've long admired about Bri's art journey, her work notwithstanding...which, let's be honest, is ahMAZEballs!...is how "serious" she is. What I mean by that is she takes her journey seriously. She thinks about what she's making, how she wants her work to be interpreted. Maybe even what her art legacy will be. (Do ya, Bri? Another question for you!)

I've long admired artists who are searching for the path they want their art to move along so it can describe the story they want to tell.


My work tends to be about process. How does this thing relate to that thing. How do I attach this widget to that gizmo. What does this VGA monitor plug look like. (a robot!) What can I make with this block of wood. Finding solutions to nuts and bolts (read: mechanical) questions. But I want more than that. For example, I love that Michael de Meng's creations start with the world's detritus but he moves far beyond that with his subject matter exploring folklore, demons, Gods and Myths. 

Don't get me wrong. There is absolutely nothing wrong with painting/making pretty things. The world needs all the beauty and loveliness it can get. I don't understand but can appreciate artists who paint realistic landscapes their entire careers. But there is something inside me that wants MORE. I want to move beyond just attaching this widget to that gizmo. To create a feeling. To tell a story. 


I came close once. It was one of the hardest pieces I've ever made. It knocked me down taking me to the depths of my soul, then lifted me back into the light. I want more of THAT. I'm ready for that.